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If Philip K. Dick were a psychology dropout drawing inspiration from primetime network television, the result might be THE COPENHAGEN TEST. And that is not necessarily a bad thing.

While the biohacking premise may sound far-fetched, the intriguing setup and immersive paranoia make for an engaging watch. The script occasionally feels contrived, but the performances are mostly restrained and unexpectedly human. With a final act that is both rewarding and unsettling, espionage aficionados should not miss this series.

With an extremely high squirm rate per minute, the latest high-adrenaline thriller SEND HELP is unmistakably Sam Raimi. Both leads gave satisfying performances in this highly entertaining castaway dark comedy. McAdams fully reclaims the mean girl title.

New short film SANDIWARA now on YouTube!

Written and directed by Sean Baker, starring Michelle Yeoh playing five different characters whose worlds collide one evening at a kopitiam in Penang. Ten colourful minutes celebrating Malaysian cuisine.

https://www.youtube.com/watch?v=7Lo8WTBuHDg

Visited the new Melbourne metro train stations today 🚆

Why the fuck would we “socially cohere” for monsters?

https://theshot.net.au/uncategorized/why-the-fuck-would-we-socially-cohere-for-monsters/

"I am a Jewish Australian. No amount of context can tell me that police brutality makes me safer"

— Bart Shteinman

https://open.substack.com/pub/cheekmedia/p/i-am-a-sydney-jew-who-witnessed-police

Over the weekend, I finally installed the wall gallery in my home office. A few years in the making, and the first completed project of 2026.

Isaac Herzog is accused of inciting genocide in Gaza. He shouldn’t be welcomed to Australia.

HE IS NOT WELCOME IN AUSTRALIA.

https://www.theguardian.com/commentisfree/2026/feb/05/albanese-can-still-withdraw-the-invitation-to-israels-president-he-should-do-so-for-the-sake-of-social-cohesion-ntwnfb

I adore cinema about cinema, and what makes SENTIMENTAL VALUE extra special is its abundance of visual details that explore how humans project themselves onto objects, their work, and other people.

The film is rich in pivotal conversations: between a director and his producer, between an actress and her director, and perhaps the most tender highlight of the film, between sisters discussing their respective fates.

It has also mastered the use of repetition. First, there is the monologue, delivered by a consummate actress in English, and later read by the scriptwriter’s daughter in its original Norwegian. Second is the single-shot scene of the film being made, initially narrated by the director as he explains how it is meant to be executed, moment by moment, and later, as the film concludes, the actual scene unfolding exactly as described. These repeated moments examine memory from different perspectives, and I do not think I have seen this technique used so beautifully and effectively elsewhere.

Renate Reinsve, who previously played another troubled character for Joachim Trier, once again delivers an accessible and deeply relatable performance, while the supporting cast is nothing short of perfection. Definitely one of the best films of 2025.

Sabalenka is a power hitter and is definitely one of the best players today, but her repeated moral evasiveness and lack of generosity toward others make her values hard to respect. So for me, Rybakina winning is the best result tonight. #AusOpen 🎾

From Home Alone to Schitt’s Creek and even The Studio, her presence has always magnified the charm and humour of the work. Safe travels, Catherine O’Hara.

Photos during my recent two visits at the Melbourne Park 🎾

This. Is. Superhuman Level Tennis. #AusOpen 🎾

It truly is tennis season when all types of courts are built around the Yarra River 🎾

MY BRILLIANT CAREER tells a small story but finds its power in big moments. Its unique staging, where the actors are also the musicians, is elevated by the energy and talent of everyone on stage. Empowering, funny, and a very Australian take on finding one’s authentic voice in a crazy, mostly unfair world. #melbourne #theatre

A movie about travel that barely shows interesting destinations. A comedy that’s not funny. A clumsy, chaotic lead who’s meant to be cute. And, of course, a mediocre dance-floor scene that’s meant to win over the crowd.

Either I’ve seen too many rom-coms for these tropes to feel anything but tired and unacceptable, or I’m simply not part of the target market for PEOPLE WE MEET ON VACATION.

The core of the Avatar franchise is a clear critique of colonisation and capitalism, and the third film returns to these thematic roots. Despite the immersive universe, enhanced by our first experience of the panoramic three-screen, 270-degree ScreenX format, I felt the latest film did not add anything significant to the mythology.