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@mattblaze@federate.social
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@mattblaze@federate.social
Technical cameras are specialized devices, and they need special lenses that can "cover" - project an image onto - an area larger than the sensor (to allow the shifting). All this is makes everything
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@mattblaze@federate.social
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@mattblaze@federate.social
I generally use a Phase One (medium format) digital back on a Cambo "WRS" camera for making my stitched images. This system provides a fair amount of room for movements. But there are less expensive a
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@mattblaze@federate.social
The 35mm shifting lenses aren't absolutely theoretically ideal for this, because they generally shift the lens rather than the sensor when the camera mounted on a tripod. But the change of perspective
I am the widow of a prince and I live in Lagos, Nigeria. Don't take that as a personal thing, but if you are on threads don't waste your time asking to become a follower. QUI SI BESTEMMIA. Sono responsabile solo di ciò che scrivo, non di ciò che capite (o volete capire). Se son fiori fioriranno. Ma sono more.
mastodon.cisti.org
I am the widow of a prince and I live in Lagos, Nigeria. Don't take that as a personal thing, but if you are on threads don't waste your time asking to become a follower. QUI SI BESTEMMIA. Sono responsabile solo di ciò che scrivo, non di ciò che capite (o volete capire). Se son fiori fioriranno. Ma sono more.
mastodon.cisti.org
@GustavinoBevilacqua@mastodon.cisti.org
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Nov 10, 2025
@mattblaze@federate.social
Thanks for the great thread!
During my conscription (in 1980) I learned by myself how to use the Linhof 8×10" of the military school, without any clue, just making experiments.
But since film was expensive, I often had to resort to thin tracing paper

on the film plate to make correct drawings of devices for manuals (to make them was my "official" duty).
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