#modaljazz

5 posts · Last used Mar 04

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@ratatosk@mastodonapp.uk · Mar 04, 2026
Iberian Waltz by Sadao Watanabe & Charlie Mariano, released on Columbia as part of their Takt Jazz Series in 1969. Nice hardbop with some modal playing from these two jazz greats. https://www.google.com/url?sa=t&source=web&rct=j&opi=89978449&url=https://www.youtube.com/watch%3Fv%3DftvMZoWEL5w #CharlieMariano #SadaoWatanabe #Jazz #ModalJazz #HardBop #Music #TaktJazz #JapaneseJazz #MasabumiKikuchi
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@ratatosk@mastodonapp.uk · Feb 25, 2026
Ended Tuesday and welcomed Wednesday after my swim with Ballads a jazz album by John Coltrane released in January 1963 by Impulse! Records. It was recorded in December 1961 and 1962, and released with catalogue number A-32 (mono) and AS-32 (stereo). Critic Gene Lees stated that the quartet had never played the tunes before. "They arrived with music-store sheet music of the songs" and just before the recordings, they "would discuss each tune, write out copies of the changes they'd use, semi-rehearse for a half hour and then do it". Each piece was recorded in one take, except for "All or Nothing at All". In 2008, the album was a recipient of the Grammy Hall of Fame award. - Wikipedia https://www.youtube.com/watch?v=8rOMV0A5jd0&list=RD8rOMV0A5jd0&start_radio=1 #JohnColtrane #Ballads #ModalJazz #ImpulseRecords #Jazz #Music #TenorSax #McCoyTyner #ElvinJones #JimmyGarrison #ReggieWorkman
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@ratatosk@mastodonapp.uk · Feb 22, 2026
New Call From France by The Jef Gilson Nonet feat. Jean Louis Chautemps, released in 1966 on SABA. London Jazz Collector wrote: Three of France’s outstanding front-line players: Jean-Louis Chautemps, Francois Janneau and Claude Lenissois – come into their own as solists in a nonet setting, an excellent showcase for their talents without an overwhelming nineteen-piece big band setting... It covers familiar Gilson territory, large ensemble with European/ romantic melody leanings but lots of fire in the belly. One, maybe two tracks I recognised from Gilson compendium albums, merely recognition of outstanding material, and much better heard in context of the whole contemporary album rather than a sampler of “picked cherries” without context. https://londonjazzcollector.wordpress.com/2024/12/20/jef-gilson-new-call-from-france-1966-mps/ https://www.youtube.com/watch?v=l49rmbnArZU&list=RDl49rmbnArZU&start_radio=1 #JefGilson #ModalJazz #Jazz #FrenchJazz #Music #Jean-LouisChautemps #FrancoisJanneau #MPS #SABA
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@ratatosk@mastodonapp.uk · Feb 19, 2026
European Jazz Sounds by Michael Naura Quintet, released on Brunswick in 1963. One of the greatest albums of European jazz from the early 60s -- a tremendous effort from pianist Michael Naura, working here with lots of vibes and a fair bit of grooves -- in a style that sounds a lot like some of the best early recordings made by the team of Roy Ayers and Jack Wilson! The groove here is definitely modern, but also plenty darn soulful too -- and thanks to some alto sax in the mix, the tracks have a cutting quality that really gives them an edge -- a kind of rasp that predates some of the late 60s soulfulness of the Saba/MPS scene, of which this album is a definite precursor! Alongside Naura's piano, the group also features vibes by Wolfgang Schluter, alto sax by Peter Reinke, bass by Wolfgang Luschert, and drums by the great Joe Nay - Dusty Groove https://www.youtube.com/watch?v=t3qGJ7z-Ii4&list=RDt3qGJ7z-Ii4&start_radio=1 #HardBop #ModalJazz #Jazz #MichaelNaura #Music #Vibraphone
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@ratatosk@mastodonapp.uk · Jan 28, 2026
My Funny Valentine: Miles Davis in Concert is a live album by the jazz trumpeter and composer Miles Davis. It was recorded at a concert at the Philharmonic Hall of Lincoln Center, New York City, on February 12, 1964, and released through Columbia Records the following year. My Funny Valentine Review by Scott Yanow Miles Davis' concert of February 12, 1964, was divided into two LPs, with all of the ballads put on My Funny Valentine. These five lengthy tracks (specifically, "All of You," "Stella by Starlight," "All Blues," "I Thought About You," and the title cut) put the emphasis on the lyricism of Davis, along with some strong statements from tenor saxophonist George Coleman and freer moments from the young rhythm section of pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams. This hour-long LP complements the up-tempo romps of Four & More. https://www.youtube.com/watch?v=HmNpRG7C1yQ&list=RDHmNpRG7C1yQ&start_radio=1 #MilesDavis #Jazz #ModalJazz #HerbieHancock #Music #RonCarter #TonyWilliams #GeorgeColeman
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